Nalina Moses

ARCHITECT, WRITER, CURATOR

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Whether or not it’s the greatest rock and roll photograph ever taken, Bob Gruen’s famous 1973 portrait of Led Zeppelin in front of their plane is pretty great.  It’s richly composed, with the lilting horizontals of the fuselage and…

Whether or not it’s the greatest rock and roll photograph ever taken, Bob Gruen’s famous 1973 portrait of Led Zeppelin in front of their plane is pretty great.  It’s richly composed, with the lilting horizontals of the fuselage and wings in the background, the Cyclops-eye of the engine in the foreground, the four band members in the middle, and the mirrored clippings of the band’s logo at the top and their legs below.  The scene gets so many 70’s rock cliches right: the private plane, the shaggy hair, the open shirts, the super-tight flares.  While the goings-on inside the plane, an old United Airlines Boeing 720 fitted out with sectional furniture and rechristened the Starship, were not innocent, this photograph is.  It’s lovely.

A large part of the loveliness is Robert Plant.  Cover him up and what we have are three sour-faced lads huddled under a plane.  Led Zeppelin did a massive amount of posturing, both musically and theatrically, but Plant’s gesture here (hair tossed, hips cocked, arms outstretched) feels genuine.  With his left hand he tames the plane like a circus elephant, and with his right hand, raised behind him, he reaches for the sky.  The thick gold chain over his bare chest is macho, but softened by his repose.  There’s nothing apologetic and nothing ironic about his position.  He’s a rock star, and happy to be one.

Led Zeppelin, 1973.  Photograph by Bob Gruen.

August 30, 2013 by Nalina Moses
August 30, 2013 /Nalina Moses /Source
ROCK, PHOTOGRAPHY, PORTRAIT, Led Zeppelin, 70's, Robert Plant, Starship, Bog Gruen
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The best part of Argo, a based-on-fact political thriller set in 1980, is its historically accurate stylings.  The people we see have CRT televisions, corded phones, avacado-colored refrigerators, bushy haircuts and hippyish clothes.  Ben Affleck lo…

The best part of Argo, a based-on-fact political thriller set in 1980, is its historically accurate stylings.  The people we see have CRT televisions, corded phones, avacado-colored refrigerators, bushy haircuts and hippyish clothes.  Ben Affleck looks great in his streaked-with-grey mop cut and droopy moustache, though the meticulously buffed torso he exposes at one point is decidedly anachronistic.  I don’t think people back then, without trainers and pilates, had bodies like that.

Now that it’s standard practice, for both men and women, to wear one’s jeans low-slung, tight, and long, it’s particularly hilarious to see everyone in high-waisted flares.  My companion laughed out loud when one gentleman appeared on screen sporting light blue bellbottoms with heavy topstitching that made a giant, upside-down “U” on his bottom.  They overwhelmed any grace there was in his figure, swallowing his legs and midsection.  What made men wear these kinds of trousers, that seem to us today so obviously unmanly?  Was it androgyny?  Or was the Carter era a less complicated, less conventional age, when both men and women felt free to wear anything they felt like, however unpretty it was?

Vintage Landlubber corduroy flares, 1970’s.

January 09, 2013 by Nalina Moses
January 09, 2013 /Nalina Moses /Source
MOVIES, Argo, Ben Affleck, FASHION, 70's, denim, jeans, hairstyles
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