Nalina Moses

ARCHITECT, WRITER, CURATOR

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Google’s Glass integrates smartphone applications with an eyeglass-like frame so that one can see commands (there's a tiny screen attached to one side of the frame) without looking away from the world, and activate them by voice alone.  What&r…

Google’s Glass integrates smartphone applications with an eyeglass-like frame so that one can see commands (there's a tiny screen attached to one side of the frame) without looking away from the world, and activate them by voice alone.  What’s most impressive is that Glass isn’t science fiction; it’s almost here.  Google announced a 2014 product release with a retail price of $1,500.  It’s just a matter of time, I think, before the screen image is realized as a hologram floating in front of our faces, and then a tissue embedded right within our eyes.

A happy two-minute marketing video, One day…, follows a young man as he moves through his day using Glass.  He uses the new technology to arrange to meet a friend, to make a voice memo to buy concert tickets, to navigate his way from East 23rd Street to the Strand bookstore, to locate the music section inside the store, to post photos of graffiti online, and, finally, to broadcast a song he performs on his ukelele to a girl named Jessica.  Glass Man is a downtown hipster dream boy, free from work and personal (and even pet) obligations, who only plans things an hour or so in advance, and who spends the day roaming around the city with his buddy.  He doesn’t use Glass to do anything vital, and doesn’t use it to do anything an ordinary smartphone can’t do.  The video diminishes the most astonishing features of Glass –its almost seamless interface – to spotlight a laddish lifestyle.

The video brought to mind the SNL short Lazy Sunday, where two young men (played by Andy Samberg and Chris Parnell) wake up late, plan to see a matinee of The Chronicles of Narnia, get cupcakes from Magnolia, catch a cab to the Upper West Side, and pick up snacks and drinks at a deli before the show, all the while rapping about their exploits with mock gravity.  One day… comes dangerously close to that kind of parody.

Image courtesy of Google Project Glass.

February 14, 2013 by Nalina Moses
February 14, 2013 /Nalina Moses
Google, Apple, smartphone, iPhone, Glass Project, Andy Samberg, Chris Parnell, SNL, Digital Shorts, One Day, Lazy Sunday, hipster, downtown, Manhattan, eyeglasses
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The folks over at Google have far-ranging obsessions, something reflected in the unique splash pages they create every month or so to celebrate anniversaries and events.  Some of these graphics, which are called, officially, “doodles,” a…

The folks over at Google have far-ranging obsessions, something reflected in the unique splash pages they create every month or so to celebrate anniversaries and events.  Some of these graphics, which are called, officially, “doodles,” are enlightening (Heinrich Rudolf Hertz’s 155th Birthday), some are super cool (Freddy Mercury’s 65th Birthday) and some, in their unabashed obscurity, baffling (300th Anniversary of Spain’s National Library).  Commemorating the 126th Birthday of Mies van der Rohe last week seemed like a perfect idea.

But when I saw the Mies doodle online I groaned inwardly, and then outwardly.  The cartoon showed the crayon-colored Google letters stuffed inside a long glass box that’s loosely modeled after Crown Hall at IIT, an icon of postwar American architecture.  The doodle, with its flattened proportions and heavy mullions, inadvertently mocked the refinement and luxe of the great architect’s work.  Mies never would have crafted a volume so bluntly inert and opaque.  It’s especially disappointing because the default Google splash page, with it’s super-clean, super-clear configuration, might be the most brilliant page on internet.  (Compare it to the aspatial clutter of the Bing splash page.)  If Google is going to invoke the memory of a master like Mies they need to come up with similarly disciplined graphics.  Their 2008 doodle celebrating the 125th birthday of his contemporary Walter Gropius – each of the Google letters rendered as a cubish, International Style bungalow – was clunky, but so was Gropius’ work.   Mies, on the other hand, was snobbish about form.  He would have taken one look at his doodle and refused it.

April 03, 2012 by Nalina Moses
April 03, 2012 /Nalina Moses /Source
GRAPHIC DESIGN, WEBSITE DESIGN, Google, Mies van der Rohe, Crown Hall, glass, International Style
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