Nalina Moses

ARCHITECT, WRITER, CURATOR

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BLOCK PARTIOn a recent visit to New Orleans I drove through parts of neighborhoods that were devastated by Hurricane Katrina, including the Lower Ninth Ward.  Twelve years after the flooding, its residential suburban blocks have a surreal character.…

BLOCK PARTI

On a recent visit to New Orleans I drove through parts of neighborhoods that were devastated by Hurricane Katrina, including the Lower Ninth Ward.  Twelve years after the flooding, its residential suburban blocks have a surreal character.  About one third of the lots hold old houses, mostly wood “shotguns,” that have been restored, raised above grade on stilt-ilke footings, with water lines and stains on their facades.  About one third of the lots hold new houses, bright mini-mansions in newfangled styles and finishes.  And about one third of the lots are empty, grown over with a lush, flat lawn.

The texture of these blocks is remarkable.  Together they make for a more open, irregular, picturesque kind of suburb.  The houses are seen from all angles, like individual objects, chess pieces, rather than chunks of a monotonous suburban fabric.  While residents are still struggling for amenities – including jobs and affordable housing – recent growth hints at a new kind of development.  Could what has already happened be a viable model, allowing random lots to be developed organically, accommodating natural population shifts, until the Lower Ninth achieves its old density?  Or, should planners intervene strategically, focusing new construction in fixed areas that can be strengthened with new amenities, giving rise to denser micro-communities?  Or, should planners freeze development as it is, and turn the lawns into pocket gardens and parks, carving an immense, irregular green space through the whole neighborhood?  Each possibility offers great hope.

Photo courtesy of PBS.

May 15, 2017 by Nalina Moses
May 15, 2017 /Nalina Moses /Source
NinthWard, NewOrleans, Katrina, PLANNING, RESTORATION
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Don’t fix what’s isn’t broken is my response to New York City’s plan to improve the plaza in front of the Metropolitan Museum of Art.   Philanthropist David H. Koch, who’s donating $60 million to finance the  work, saw …

Don’t fix what’s isn’t broken is my response to New York City’s plan to improve the plaza in front of the Metropolitan Museum of Art.  Philanthropist David H. Koch, who’s donating $60 million to finance the work, saw the refurbished fountains at Lincoln Center and then prodded the Met to do something about their “crummy” ones.  The new design, by Philadelphia-based landscape architects OLIN, replaces the long, low fountains at each side of the museum entrance with smaller square ones, and frames the two underused, street-level side entrances with stands of trees.  The plan of the project released to the Times has a hollow prettiness, filling the space with trees, cafe tables and umbrellas.  The amateurish quality of the drawing certainly doesn’t help.

The plaza, as it is, is a vibrant urban space.  On cold days, like today, there are groups of visitors gathered on the entrance steps, some waiting for others and some just sitting there.  On warm days it feels like a festival, the entire length of the plaza thick with artists, food vendors, tourist and park-goers.  On the final evening of the Alexander McQueen show last summer, just before midnight, lines of brilliantly turned-out scenesters and fashionistas snaked around the fountains for a final entry, a spectacle of crazy, urban glamor.  True, the fountains are dismal, and rarely offer anything beyond a burble.  But that only keeps the area clear for small children and dog walkers.  Why can’t the Met keep the plaza they’ve got, which works, and clean and light the fountain properly?  The two side entrances that the new plan highlights are awfully small.  To turn them into proper entrances will require significant architectural work (larger openings, windows, some interior replanning) and not just rows of flowering trees out front.  There’s something nice about leaving this monumental public plaza in this, the city’s toniest precinct, unadorned, rather than turning it into an open air food court.  The real magic, after all, happens after you step inside the building.

February 16, 2012 by Nalina Moses
February 16, 2012 /Nalina Moses /Source
MUSEUMS, LANDSCAPE ARCHITECTURE, PLANNING, plaza, public space, Metropolitan Museum
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