Nalina Moses

ARCHITECT, WRITER, CURATOR

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DREAM WEAVINGSSimone Rocha makes clothes from silk, wool and tulle that feel as if they could evaporate at any moment in a small puff of smoke.  They are girlish confections, constructed from layers of ruffles, fringes, bows and sashes.  Like Rei Ka…

DREAM WEAVINGS

Simone Rocha makes clothes from silk, wool and tulle that feel as if they could evaporate at any moment in a small puff of smoke.  They are girlish confections, constructed from layers of ruffles, fringes, bows and sashes.  Like Rei Kawakubo, Rocha can transform conventional garments (trenchcoat, party dress, pantaloons) with unorthodox tailoring, while leaving traces of those original forms intact.  Her garments are exquisitely imagined; every collar, cuff and hem carries an elemental proposition about what a collar, cuff and hem can be.  A khaki trenchcoat has rouched sleeves with cuffs that morph in bows.   A party dress in heavy white eyelet hangs across the collarbone as if it has been put on sideways.   A ball gown is constructed from a soft voile sack embellished with yellow silk flowers.  The clothing’s strong asymmetrical profiles, mismatched fabrics, and elaborate piecing give them a structural audacity that makes their fairytale prettiness all the more remarkable.    

While Kawakubo’s garments are charged with aggressive avant garde energy, Rocha’s are tender, sylvan, and sentimental.  The young women staffing her New York City shop, who wear the dresses as their uniform, seem less like fashion warriors than artsy teens who read Jane Austen and comic books.  Rocha’s clothes don’t need accessories, makeup or jewelry to built a strong look.  Each piece carries its own strong image, and shapes its own character.  Here is a princess who fell asleep beneath a blanket of wildflowers.  Here is a schoolgirl who packs her satchel and runs away from home.  Here is a witch who disguises herself in a magnificent gown to attend the ball. These clothes are like dreams translated directly  into fabric. 

Photograph courtesy of Simone Rocha.

March 04, 2017 by Nalina Moses
March 04, 2017 /Nalina Moses /Source
Simone Rocha, FASHION, fantasy, TAILORING, Commes des Garcons, Rei Kawakubo
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The drag queen heroines of Kinky Boots and Any Day Now, two movies I just saw back-to-back, couldn’t be more different from one another.  In the first Chiwetel Eliofor plays a majestic amazon who inspires those around him with physical and mor…

The drag queen heroines of Kinky Boots and Any Day Now, two movies I just saw back-to-back, couldn’t be more different from one another.  In the first Chiwetel Eliofor plays a majestic amazon who inspires those around him with physical and moral courage.  In the second Alan Cummings plays a slight, emotional train wreck who struggles to piece together his professional and romantic lives.  While the first queen is dazzling, it’s the the second that breaks your heart.

It’s a platitude to note that drag is an exaggeration of a woman’s traditional role, a heightened expression of femininity.  But there’s a more universal appeal to it too.  Drag performers turn themselves into a fantasy of who they want to be, which is something most of us are doing a lot of the time.  We make and remake ourselves continuously to meet an idea we have about what is beautiful or good or strong, an image that isn’t always within reach.  There’s something deeply human in the striving.  This might be why the Alan Cummings character is so moving.  He’s expressive about who he wants to be (artist, father, lover) and fights all-out to get it.  His high heels, makeup, and glittery dresses are more than fashion; they’re combat dress.

Unknown French model, Burt Glinn, 1960.

December 18, 2012 by Nalina Moses
December 18, 2012 /Nalina Moses /Source
FASHION, cross dressing, drag, Any Day Now, Kinky Boots, fantasy, drag queen, Chiwetel Eliofor, Alan Cummings
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